GROW · ASDAN Studio · ASDAN Studio · Community Project · Banks: ASDAN PEQ L1 'Delivering a Project' (communication) · FS English speaking/writing link
| Key Word | Definition |
|---|---|
| FIRST CONTACT | The first message a partner receives from us. |
| TONE | How the message sounds — formal, warm, short. |
| SPECIFIC ASK | Exactly what we are asking them to do. |
| FOLLOW-THROUGH | Logging the reply and turning it into a next step. |
Name: ____________________ Class: __________ Date:
Partners judge the project by its first message.
Documentarian photo + annotation + witness tick — ASDAN PEQ L1 'Delivering a Project' (communication) · FS English speaking/writing link.
1) Who is our project partner (or best candidate)?
2) What do we actually need from them?
3) Point to the plan — the ask comes from it.
1) What does 'Partners judge the project by its first message.' mean in your own words?
2) Today is 'First Contact' — write like it matters. What do you think we'll be doing?
3) By the end you should be able to say: 'I can draft a clear, polite first contact with a specific ask.' What will that take today?
1) Your partner gets fifty emails a day. Design the subject line that gets ours opened.
2) Predict the partner's likeliest objection and fold the answer into the first message.
3) Take 'giv us a shout if ur up for it' and walk it, step by step, into professional register.
Key Question: What are we building today — and where does the evidence go?
Draft the message, Check tone and details, Send or deliver it, Log the reply, Agree the next step
Draw lines to match:
Draft the message · Check tone and details · Send or deliver it · Log the reply · Agree the next step
Step 2 · Step 4 · Step 3 · Step 5 · Step 1
We are writing to ______.
Our specific ask is ______.
If they reply we will ______.
contact · tone · formal · short · specific ask · reply · log · next step
1) Draft the contact message. 2) Peer-check it against the tone list. 3) Send it, then explain what you will do with the reply.
Sentence spine: "I started by ___ — then ___ — which shows Partners judge the project by its first message."
Why does a SPECIFIC ask get more yeses than 'can you help us?' No reply after a week. Script the follow-up that chases without nagging.
Task: Build the message from the sentence frames with support, then read your line for the final check.
Work here (an adult can scribe):
Task: Draft the class contact message (or your section of it), peer-check it against the tone list, and send/deliver the final.
Evidence check: photo ☐ annotation ☐ witness ☐
Task: Draft the class contact message (or your section of it), peer-check it against the tone list, and send/deliver the final.
Stretch (L2 standard): anticipate the partner’s likeliest objection — and answer it inside the first message.
1) I can draft a clear, polite first contact with a specific ask — true for you today? Say how.
2) I can check tone and details before it goes — true for you today? Say how.
3) I can log a reply and turn it into a next step — true for you today? Say how.
1) What does 'Partners judge the project by its first message.' mean now the lesson’s done?
2) What did you actually make or do today — and which bit are you proudest of?
3) Where does today’s evidence bank?
1) Why does a SPECIFIC ask get more yeses than 'can you help us?'
2) No reply after a week. Script the follow-up that chases without nagging.
3) What did writing to a real adult, for real stakes, change about how you wrote?
GROW ASDAN W4 · First Contact
GROW · ASDAN Studio · ASDAN Studio · Community Project · Banks: ASDAN PEQ L1 'Delivering a Project' (communication) · FS English speaking/writing link
| Candidate name | |
| Date of activity | |
| Activity witnessed | First Contact |
1 · What I actually saw this candidate do
Name the observable action, not the worksheet. Write what a stranger would have seen from the doorway.
2 · Level the candidate worked at — ring ONE
| SUPPORTED Build the message from the sentence frames with support, then read your line for the final check. |
STANDARD Draft the class contact message (or your section of it), peer-check it against the tone list, and send/deliver the final. |
STRETCH Why does a SPECIFIC ask get more yeses than 'can you help us?' No reply after a week. Script the follow-up that chases without nagging. |
Prompts given (if any):
3 · Evidence attached
☐ Dated photograph ☐ Candidate’s written annotation ☐ Completed sheet ☐ Other:
4 · Assessor declaration
I confirm the work described above was produced by the named candidate, and that the level ringed reflects the support actually given on the day.
| Assessor name (print) | Role |
| Signature | Date |
One statement per candidate per session. File it with the photo, not instead of it.
Space → Voice → Audience → Influence. The adult’s first job is Space: regulate before you educate.
| Space | The Green-Light Board is real-stakes but safe — nothing goes up without your say-so, 'pass' is allowed, and outvoted voices stay respected. |
| Voice | Say the line you would want a stranger to read first. |
| Audience | This actually leaves the building — a real organisation reads what we send. |
| Influence | The message the room agrees is the message that goes. Nothing is rewritten afterwards. |
Closing the loop: this one ends on paper — your own hand, or your words scribed by an adult. Saying it aloud starts the loop; writing it is what closes it. Pass is always allowed.
What I said, and what it changed:
Keep with your ASDAN portfolio.
| Pupil name: | Date: |
| WWW (What Went Well): | |
| EBI (Even Better If): | |
| Level worked at: Supported / Standard / Stretch | ASDAN evidence filed: Yes / Not yet |
| Pupil response — my next step: | |