Teesside Art Studio Suite Β· Bronze Arts Award Β· Bronze Part D Β· Skill Share (Plan)
| Key Word | Definition |
|---|---|
| Skill share | Passing on an arts skill β Bronze Part D |
| Chunking | Teaching in working-memory-sized pieces |
| Demo script | Narrated demonstration with sensory cues |
| Engineered first try | Early success, designed in |
| Fault plan | Scripted calm for predicted errors |
| Unassisted attempt | The learner doing it without you β the proof |
Name: ____________________ Class: __________ Date:
What do I need to plan so another person can successfully learn an arts skill from me?
your teaching plan + rehearsal feedback card (Part D begins).
1) Read the standard you adopted.
2) Which process did you flag to teach?
3) Think of someone who taught you a skill well. What did they DO?
4) Say your process's steps from the control sheet.
1) Why do decisions transfer but luck doesn't?
2) What does Bronze Part D require?
3) Why teach in chunks rather than the whole thing at once?
4) How do you know a learner actually got it?
1) What makes a study honest?
2) What makes a demo watchable vs confusing?
3) Predict your process's TOP learner-error.
4) Your learner is stuck mid-share. Name two moves.
Key Question: Someone once taught you something that stuck β a skill your hands still know. Whatever they did, that's the toolkit. Today you build YOUR version of it.
π 'I'll teach all five steps', π '10-minute silent demo first', π 'I made them a registration jig', π§― 'I wrote rescue lines for the top 3 faults', β 'If they struggle I'll just do it for them', β 'They'll pull one WITHOUT me at the end'
Draw lines to match:
π§© Chunks Β· π¬ Demo script Β· π Engineered first try Β· π§― Fault plan Β· β Unassisted attempt Β· π Rehearsal
Success bought early, on purpose Β· Scripted calm for the top errors Β· Narrated sensory cues per chunk Β· Cheap fixes before delivery day Β· The proof they learned β Part D's check Β· What today teaches β and doesn't
chunk, show, try, cue, calm, without me
"Chunk 1: ___ (cue: ___)" | "Their first try: ___" | "If stuck: ___"
Chunks Γ3 with demo lines β First try engineered β Fault plan (top 3 + rescue lines) β Check: the unassisted attempt.
"Scaffold out for fast: ___ at ___" | "Simplify for struggling: ___" | "Two-minute read: I'll watch for ___"
Teaching Plan (framed)
Chunk 1 + cue:
Chunk 2 + cue:
Chunk 3 + cue:
First try / If stuck:
Rehearsal feedback card attached β‘
Full Plan + Rehearsal
Chunks + scripts β‘ First try engineered β‘ Fault plan (3) β‘ Unassisted check planned β‘
Rehearsal stuck-point + tonight's fix:
Plan + Differentiation
Standard items β‘
Fast-learner adaptation:
Struggling-learner adaptation:
The two-minute read:
1) How many chunks maximum?
2) What's the unassisted attempt for?
3) Read your best demo cue line.
1) Why engineer the first try to succeed?
2) What did rehearsal change in your script?
3) Rescue β replace β what's the hands-together rule?
1) Describe your two-minute learner read.
2) Which scaffold comes OUT for a fast learner, and when?
3) What's your fault plan's calmest line?
Space → Voice → Audience → Influence. The adult’s first job is Space: regulate before you educate.
| Space | Rehearsal pairs claim their own corners β teaching needs its own acoustic; the room re-arranges around the rehearsals. |
| Voice | Your demo NARRATION is the voice skill of the fortnight β rehearsal partners echo your best cue line back to you. |
| Audience | Next week's learners are real (the invited class/visitors per the ballot) β today's partner stands in for a genuine stranger. |
| Influence | Logistics vote: skill-share format next week β stations carousel or paired sessions? Your ruling configures the room. |
Closing the loop: this one ends on paper — your own hand, or your words scribed by an adult. Saying it aloud starts the loop; writing it is what closes it. Pass is always allowed.
What I said, and what it changed:
Keep with your sketchbook / portfolio.
| Pupil name: | Date: |
| WWW (What Went Well): | |
| EBI (Even Better If): | |
| Level worked at: Supported / Standard / Stretch | Arts Award evidence filed: Yes / Not yet |
| Authorship — what I chose or decided myself: | |
| Support given — prepared / scribed / modelled / hand-over-hand: | |
| Pupil response β my next step: | |