Teesside Art Studio Suite Β· Bronze Arts Award Β· Bronze Part A Β· Own Arts Practice
| Key Word | Definition |
|---|---|
| Own practice | Your sustained, directed making (Part A) |
| Radius | The claimed patch your practice draws from |
| Why-line | The reason a pin feeds the work |
| Capture pair | Photo + physical study of the same stop |
| Practice line | The one-word spine of the term |
| Series | Repeated works that show development |
Name: ____________________ Class: __________ Date:
How can digital or physical mapping transform the way we see a familiar structure?
your mapped route + first practice pages, photographed and dated (Part A begins).
1) Name three formal elements.
2) What does a map key do?
3) Name two drawable places within ten minutes of here.
4) Digital photos or physical sketching β which do you reach for first?
1) What did 'the steal' mean last year?
2) How is mapping a place different from drawing it?
3) What does Bronze Part A ask for?
4) Why do artists work in a series rather than one-offs?
1) Recreate / exaggerate / transform β which is hardest to evidence? Why?
2) A route walked with attention becomes material β what would YOU log?
3) Your map can't hold everything. What's your filter?
4) Bronze raises the bar from Explore how?
Key Question: Everything within ten minutes of this room is potential material. Bronze begins by claiming your patch: what's in YOUR radius that nobody else would map?
π Perfect light, 30 seconds, π§± A texture you'll paint, π«οΈ A mood you can't name, π The place has a SOUND, β³ It changes weekly, π People's windows/doors
Draw lines to match:
π¨ Own practice Β· π The radius Β· π Pin + why-line Β· π±βοΈ Capture pair Β· ποΈ Series Β· 𦴠Practice line
Digital remembers; physical understands Β· A stop that feeds the work, reasoned Β· Your claimed patch of material Β· Growth visible across pieces Β· YOUR sustained making, with direction Β· The one-word territory claim
route, pin, photo, thumbnail, texture, because
"My route goesβ¦" | "Pin 1 is ___ because ___" | "My practice line is ___"
Map: route + 5 reasoned pins + spine word. Page: grown from one pin, dated, materials logged. Momentum: the next-pin note.
"My series pin is ___ because it repeats and changes" | "Routine: every ___ at ___ using ___" | "By Week 8 the series should show ___"
Radius Map Record
Route drawn β‘
Pin 1 + why:
Pin 2 + why:
Pin 3 + why:
Capture pair for pin 1 β‘
Map + First Page
Map complete (route/5 pins/spine) β‘
My practice line:
Practice page from pin ___ β dated β‘ materials logged β‘
Next-pin note:
Map + Pages + Series Plan
Standard items β‘ Second page β‘
Series pin + justification:
Capture routine (day/angle/media):
What the series should show by Week 8:
1) What two things does every pin need?
2) What's your practice line word?
3) Why date every page?
1) Digital remembers; physical�
2) Why does a series show growth better than one-offs?
3) Your next-pin note β read it out.
1) Defend your series pin choice.
2) What did your hand learn that the photo missed?
3) Where does consent limit the radius, and how do you work with that?
Space → Voice → Audience → Influence. The adult’s first job is Space: regulate before you educate.
| Space | The radius IS the space this term β with permissions set, practice legally leaves the room; the map is your passport. |
| Voice | Pitch your practice line (one word) to the room; the room may ask one question each β territory defended aloud. |
| Audience | Maps go on the studio wall as a combined atlas β the class's radii overlap into one Teesside practice map. |
| Influence | Where radii overlap, the class votes a SHARED pin β Week 3's Independent Challenge offers it as a common option. |
Closing the loop: this one ends on paper — your own hand, or your words scribed by an adult. Saying it aloud starts the loop; writing it is what closes it. Pass is always allowed.
What I said, and what it changed:
Keep with your sketchbook / portfolio.
| Pupil name: | Date: |
| WWW (What Went Well): | |
| EBI (Even Better If): | |
| Level worked at: Supported / Standard / Stretch | Arts Award evidence filed: Yes / Not yet |
| Authorship — what I chose or decided myself: | |
| Support given — prepared / scribed / modelled / hand-over-hand: | |
| Pupil response β my next step: | |