| Fact | Detail |
|---|---|
| Born | 1 November 1889, Gotha, Germany |
| Nationality | German |
| Movement | Berlin Dada (the only woman in the group) |
| Invented | Photomontage — cutting & reassembling printed photos |
| Day job | Ullstein publishing house — magazine pattern designer |
| Famous work | "Cut with the Kitchen Knife…" (1919) |
| Themes | Politics, gender, beauty, the "New Woman" of 1920s Germany |
| Under the Nazis | Work branded "degenerate"; made art quietly in private |
| Died | 1978, Berlin, aged 88 |
| Dalí (last lessons) | Höch (today) | |
|---|---|---|
| How | Painted by hand | Cut & glued real photos |
| Source | Imagination / dreams | Magazines, newspapers, adverts |
| Goal | Show the subconscious | Criticise real society |
| Shared word | JUXTAPOSITION — the clash carries the meaning | |
| Word | Meaning |
|---|---|
| Photomontage | Cutting & reassembling photos into a new image |
| Dada | Anti-art movement born from disgust at WWI |
| Juxtaposition | Placing two unrelated things side by side |
| Weimar | 1920s Germany's republic — Höch's era |
| New Woman | 1920s ideal of the modern, independent woman |
1) Which Surrealist artist did we study — the one who painted melting clocks?
2) Dalí's dream-like paintings belong to which art movement?
3) What does juxtaposition mean?
4) Cutting pictures from magazines and gluing them into a new picture is called…?
1) Name the Surrealist artist we studied (the melting clocks).
2) What was Dalí trying to show in his dream-like paintings?
3) Give one example of juxtaposition from Dalí's work.
4) How could you make a picture using only magazines, scissors and glue — no paint?
1) Which movement did Dalí belong to, and what did it explore?
2) Why is juxtaposition so important in Surrealist art?
3) In our Dalí annotation (STATE, DESCRIBE, EXPLAIN) — what does EXPLAIN ask you to do?
4) Cut a face from one photo + a machine from another — what message might that send?
Only for pupils still completing Dalí:
| Step | Task |
|---|---|
| 1 | Finish your gridded Dalí study and add tone |
| 2 | Complete the annotation — STATE, DESCRIBE, EXPLAIN |
| 3 | Finish the Dalí research page — facts, images, comparison |
| 4 | Then start the Foundation Höch task — title + 5 facts |
Hannah Höch (1889–1978) was a German artist and one of the inventors of photomontage. She was born on 1 November 1889 in Gotha, Germany, and studied applied arts and graphic design in Berlin. From 1916 she worked at the Ullstein publishing house, designing embroidery, knitting and crochet patterns for women's magazines — surrounding her with printed photographs and mass-media imagery.
She became the only woman in the Berlin Dada group, a radical anti-art movement that grew out of disgust at the First World War. Höch is famous for cutting up photographs from newspapers, magazines and adverts and reassembling them into strange new images — a technique called photomontage. Her most famous work, "Cut with the Kitchen Knife…" (1919), is a chaotic collage attacking German politics and society.
Much of her work explored the role of women, beauty standards and the idea of the "New Woman" in 1920s Germany. The Nazis branded her work "degenerate" and she lived quietly through the Second World War, continuing to make art in private. She died in Berlin in 1978, aged 88 — now remembered as a pioneer of collage.
📝 Highlight at least 5 facts. Then list them here:
What do you SEE?
What CLASHES or doesn't fit?
Which VISUAL ELEMENTS jump out?
What MESSAGE might Höch be sending?
"Hannah Höch was a _____ artist born in _____."
"She is famous for inventing _____."
"In my collage I cut out _____ and _____."
"Höch's way of working is different to Dalí because she _____ instead of _____."
"Photomontage means _____."
"In my collage, the juxtaposition between _____ and _____ shows _____."
Key terms: photomontage, Dada, juxtaposition, mass media, Weimar, "New Woman", degenerate art, collage, social critique
Aim: link your collage choices to a message about society / identity / media.
☐ Title "Hannah Höch" ☐ 5 facts ☐ 1 image ☐ Collage face from cut magazine pieces (eyes, mouth, hair from different photos)
☐ Title ☐ 6+ own-word facts ☐ image ☐ Collage "in the style of" Höch with a deliberate juxtaposition ☐ STATE started in annotation
☐ Detailed research (8+ facts, context, Dalí comparison) ☐ Message-driven collage with several juxtapositions ☐ Full annotation linked to Höch's social critique
1) What nationality was Hannah Höch?
2) What is photomontage?
3) What does juxtaposition mean?
1) How is Höch's way of working different from Dalí's?
2) What was the "New Woman", and why did Höch explore it?
3) What was Dada?
1) Why is juxtaposition central to BOTH Dalí and Höch?
2) Why might cut-up real photos critique society more directly than a painting?
3) Dada vs Surrealism — how do they relate?
For next lesson's review. Keep with your sketchbook.
| Pupil name: | Date: |
| Artist: Hannah Höch | Tier: F / M / H |
| Research page checklist | Collage checklist |
|---|---|
| ☐ Title ☐ Facts (in own words) ☐ Image(s) ☐ Annotation started | ☐ Uses cut magazine images ☐ Deliberate juxtaposition ☐ "In the style of" Höch |
✅ What Went Well (WWW):
🔧 Even Better If (EBI):
✍️ Pupil response — "My next step is…"